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Dominique Swain flirts
with older men in Lolita, Hollywood's
second stab at committing to celluloid Nabokov's
contentious, Fifties novel about a doomed affair
between a middle-aged European and a 12-year-old
American, the actress played the child-woman who
popularized the word nymphet. Nearly two years
after the film's completion, it has yet to see
release outside Italy or Spain, thanks to
worldwide industry nervousness about the
combination of child sexuality and director
Adrian Lyne, previously responsible for the
salacious likes of 9 1/2 Weeks. I the
UK, it is finally slated for spring release,
although whether it will emerge unscathed by our
censors is anyone's guess. Undeterred by
the cold moral sweat worked up over Lolita,
Swain is caught flirting again in John Woo's
fantastically furious shoot-'em-up Face/Off.
This time it's with her dad, but it's OK because
by the second reel John Travolta isn't really her
mild-mannered FBI papa any more, he's a mad
terrorist who's stolen dad's face.
To
underline her character's innocence, Swain is
transformed from punk to prom queen by the end.
It's a saccharine aftertaste to an otherwise
flame-grilled feast, but it's one with which the
17-year-old Malibu native has no qualms.
"I
think there's more in it for everyone than a
typical action movie," she says, as we relax
on the patio of her neighborhood Starbucks coffee
house. "The woman aren't just pretty objects
that get grabbed under the arm by big action
heroes. At the end I get to stab one of my
fathers and shoot the other."
Starring
with her childhood hero, Travolta, was the
proverbial icing on the film contract.
"He's
really funny, really smart and really nice. He
would burst into song every 25 seconds and I
would just be like, 'Oh my God, that's Danny Zuko
from Grease.' Meeting him and Nicolas
Cage was like, 'I'm supposed to be professional,
but I'm peeing my pants."
As
befits the film, her experience with Jeremy Irons
on the Lolita set was more volatile.
Sometimes Irons seemed a protective father figure
but he also reacted sharply when she presumed
experience beyond her years in telling him how he
might play a particular scene. Moreover, the
sensitivity with which sex scenes were dealt
(Swain was not allowed to sit on Irons' lap
without a cushion placed between them; the nude
scenes, which she wasn't even allowed to present
at, were played by a 19-year-old body double) did
not extend to those involving violence, when
Swain received a short, sharp lesson in Method
acting.
"I
thought it would be the most challenging scene,
but then Jeremy really hit me and I really
started crying, hitting him back and screaming my
head off."
Pain,
though, is something to which Swain is becoming
accustomed. She claims to have broken her nose
twice and been in seven car accidents since she
got her license last year. "Everyone is
convinced I'm accident-prone," she grins.
"They wouldn't even let me walk down the
steps in my trailer without grabbing my
hand."
Yeah,
right. It's hardly surprising that Swain's
co-workers were falling over themselves to assist
her - you don't need to be Lolita
protagonist Humbert Humbert to appreciate the
provocative mix of gawky girlishness and adult
assurance of a real teenager living out her
dream. In fact, she was so cocooned by those
around her, that the film crew even kept
poker-straight faces when she let rip during a
take.
"I
was looking in the mirror before I sit on
Jeremy's lap. It was loud, but they tried to keep
on rolling. I was thinking, 'That would be
me'."
Taking
on Lolita as her first role could have
been suicidal: Sue Lyon, who starred in Stanley
Kubrick's 1962 adaptation, never got another
decent role. Face/Off and Swain's next
movie Girl suggest that history will not
repeat itself. After all, anyone who can get away
with farting with older men as well as flirting
with them, deserves a long and varied career.
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